More than a decade ago I was asked to organize an “Author Meets Critics” session dealing with Richard Sennett’s Corrosion of Character. Given the author’s prominence, it was no surprise when 200 people showed up for the session, and heard a set of probing comments from a distinguished panel. I reserved a few minutes for my own humble comments, and took that opportunity to lament how rarely our works succeed (as Sennett’s often do) in resonating with lay audiences. An old lament, I know. But it’s true. As a former colleague once put it, it’s as if many of us aren’t entirely comfortable allowing perfect strangers to buy our books.
Writing as if the Public Mattered
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